Marshall Payphone
Luck, as photographer Danny Lane puts it, is a big part of the process. In Up Here Down There, a series of photographs shot on film in the Bay Area, California, New York City, and Tokyo, the wind — and perhaps a little luck — play assistant as Lane captures an old pay phone against the setting sun and a friend obscured behind a glass door. The resulting works attract the eye and encourage the viewer to linger in thought long after the image has been captured.
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Marshall Payphone
Luck, as photographer Danny Lane puts it, is a big part of the process. In Up Here Down There, a series of photographs shot on film in the Bay Area, California, New York City, and Tokyo, the wind — and perhaps a little luck — play assistant as Lane captures an old pay phone against the setting sun and a friend obscured behind a glass door. The resulting works attract the eye and encourage the viewer to linger in thought long after the image has been captured.
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Luck, as photographer Danny Lane puts it, is a big part of the process. In Up Here Down There, a series of photographs shot on film in the Bay Area, California, New York City, and Tokyo, the wind — and perhaps a little luck — play assistant as Lane captures an old pay phone against the setting sun and a friend obscured behind a glass door. The resulting works attract the eye and encourage the viewer to linger in thought long after the image has been captured.
